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Actievoorwaarden Sony NEX-FS100 en NEX-5K

Thu, 08 Dec 2011 00:00:00 +0100

Double Your Creativity

With the NEX-FS100E and NEX-5K

Two ground-breaking shooting options and one flexible lens system in a single package � giving you double the flexibility

NEX-FS100E- Offering an entry into creative Super 35mm shooting.

Designed with feedback from leading camera operators the new NEX-FS100E with its interchangeable lens and Super 35mm sensor, delivers fantastic cinematic images and creative flexibility to an increasing range of applications.

NEX-5K- Delivering DSLR style creativity in a light, compact camera.

The NEX-5 is the interchangeable lens camera that delivers the picture quality of a DSLR, yet is about half the size and weight and far less complex. Enjoy Full HD movies, astounding low-light pictures and incredible panoramic shots.

TERMS & CONDITIONS

� The promoter of the NEX-FS100 & NEX-5K promotion (the �Promotion�) is Sony Professional Solutions Europe, a division of Sony Europe Limited (�Sony�) based at The Heights, Brooklands, Weybridge, Surrey KT13 0XW. Please do not send claim forms to this address.

� The Promotion is only open to customers in the following countries: United Kingdom, Ireland, Portugal, Spain, France, Belgium, Luxembourg, Netherlands, Denmark, Germany, Czech Republic, Austria, Malta, Slovenia, Hungary, Slovakia, Poland, Romania, Bulgaria, Greece, Cyprus, Lithuania, Latvia, Estonia, Sweden, Finland, Norway, Switzerland, Turkey, Albania, Croatia, Bosnia-Herzegovina, Serbia, Kosovo, Moldova, Israel, Montenegro & Macedonia.

� This promotion is not open to customers in Italy, please contact your Sony Specialist dealer for information of offers currently available in Italy.

How to Claim

� To claim your NEX-5K please send your completed claim form , found in the promotional packs of the NEX-FS100E, together with your original printed sales receipt and European Guarantee Information Document (where supplied with your Sony product) to:

Sony NEX-FS100 & NEX-5K Promotion
PO Box 100
Diss
Norfolk
United Kingdom
IP98 1SY

� All claim forms should be received by midnight on 31st January 2012. No claim forms will be accepted after this date.

� Only claim forms accompanied by original printed sales receipts will be accepted. Handwritten receipts or photocopies of original sales receipts will not be accepted. We suggest you make copies of all documents before posting them and send claims via �recorded signed for� or �registered� post.

� Proof of posting will not be accepted as proof of receipt. No responsibility can be accepted for claim forms lost, damaged or delayed in transit.

� Illegible or altered claim forms will be deemed void, as will claim forms not completed in accordance with these Terms and Conditions.

� Please allow 28 days for receipt of your NEX-5K. Where the promoter is unable to meet this deadline then he will do so as quickly as possible thereafter. Should your NEX-5K not arrive or should there be a problem with it on receipt, please contact our customer service team using the following email address: SonyEuroNEXPromo@diss.net

� Your original printed sales receipt and European Guarantee Information Document (where supplied with your product) will be returned to you with your NEX-5K.

General

� The promoter reserves the right to withhold the NEX-5K where he suspects that any false or fraudulent claim is being made, or where a claim has been made which does not comply with these terms.

� The Promoter reserves the right to change the terms of the Promotion, or to terminate the Promotion at any time and without prior notice.

� The NEX-5K is offered while stocks last.

� The Promotion is not available in conjunction with any other promotion.

� There is no credit or cash alternative available.

� Should you have any queries in relation to your claim, please contact our customer service team using the following email address: SonyEuroNEXPromo@diss.net

� All instructions given within this claim form are part of these Terms and Conditions.

� By claiming your NEX-5K, claimants will be deemed to have read and accepted these terms and conditions and Sony�s privacy policy which is available at:

www.sony.co.uk/biz/pages/privacy/Privacy_statement_en_EU.html

� The personal data provided via this Promotion (�Personal Data�) will exclusively and only be used during and for the purpose of handling this Promotion. The Personal Data will be deleted (as required by law) after this Promotion has been finished.

Weekly nr. 25 - Gratis Sony NEX-5K

Thu, 08 Dec 2011 00:00:00 +0100

Uitnodiging opening nieuwe showroom

Tue, 06 Dec 2011 00:00:00 +0100

Weekly nr. 24 - Gratis Ipad 2!

Mon, 14 Nov 2011 00:00:00 +0100

Weekly nr. 23 - BlackMagic Design Converters

Tue, 01 Nov 2011 00:00:00 +0100

Sony HXR-NX5E: Best camcorder in its class?

Mon, 24 Oct 2011 00:00:00 +0200

Dual card slots
BUILD QUALITY
The HXR-NX5 is ok with regard to build quality. Overall, it feels lightweight � possibly because it doesn�t have the bulk factor of a tape transport mechanism - and a bit on the �plastic� side. I�ve always said if I�m spending £3,500 on a camcorder I expect it to feel a bit more substantial than this. However, I feel that the NX5 is marginally tougher than the EX series; even though it is actually cheaper. But don�t worry; I�m just a fussy bugger when it comes to build quality. The NX5 won�t fall apart anytime soon and the plastics it is made out of are the tough polycarbonate type, which is designed to �flex� as apposed to �crack� when it takes a knock. It is in fact slightly better built than the Z1 and its replacement, the Z5; in my opinion. If you are used to using a Z1/Z5 you won�t be disappointed. Just to inspire confidence, I personally would buy an NX5 tomorrow and have no concerns whatsoever. Oh, the NX5 is �Made in Japan�; so expect reliability to be of the highest order.
THE SENSORS
The NX5 features the very latest 1/3rd inch Exmor CMOS sensors with ClearVid technology. What is ClearVid I hear you ask? The ClearVid system optimises both resolution and low light sensitivity versus more traditional pixel-shift CCD�s. It does this by interpolating additional resolution from diagonally-set pixels, on each individual R, G and B sensor, rather than interpolating horizontally and vertically across the three sensors. This ensures maximum resolution, in a smaller sensor, whilst the larger rotated pixels give you that all-important sensitivity. The NX5 also utilises the revolutionary Exmor noise reduction processing, which is a highly advanced noise reduction system that gives a much cleaner image.
THE LENS:
The new NX5 has the same Sony G-lens 20x Zoom, offering an amazing wide angle of view from 29.5mm (great for filming in tight spots) right through to a whopping 590mm (great for wildlife filming). The 20x zoom G-lens is a recently developed piece of glass coming from the Sony-acquired Minolta lens division; so it is developed and built in the house of Sony; and what a cracking lens it is too. The optics are super sharp with amazing colour reproduction.
Sony's superb G-Lens
This new G-lens boasts not only a focus and zoom ring, but an aperture ring too. However, all three are of the �servo� type, which have no end stops. They feel a bit vague when focusing and zooming. I found it easier to focus by hitting the �PUSH AUTO� focus button This lets the camera automatically focus as long as you hold the button down (though the camera is rather slow to do this), then when you release it, it retains that focus spot. The servo aperture ring is slightly more accurate in its �feel� and I found it to be perfectly usable in full manual mode, which is the only mode to work with for any serious applications. If you want the camera to take a �best guess� at the exposure for you, simply hit the �IRIS� button and let the camera set the exposure, then hit it again to revert to manual and tweak with the aperture ring and the use of zebras (I set zebras at 95% and watch for blown-out highlights). The zoom ring (again, vague) works well enough for setting a new focal length, which (again in my opinion) is all it should be used for. I tend to treat a zoom lens as a set of primes and not for horrible nauseating so-called zoom shots.

The lens hood is Sony�s usual nice design with built in lens cap that is opened and closed via a little lever on the side of the hood. This is far better than the competition�s affairs that have to be physically removed from the camera and stuck in your back pocket. I also particularly like the fancy �Gold� line painted around the lens, but then I do go a lot by nifty appearances like this. That�s about it for the lens, apart from it�s superb built-in optical image stabiliser; more on that later.
Playback controls are hidden under the LCD screen
THE CODEC:
The NX5 uses the AVCHD codec, which is an efficient long-GOP codec using the MPEG-4 H.264 compression algorithm (as used on Blu-ray HD DVDs and Sky HD broadcasts), albeit at a much higher maximum bit rate of 24 Mb/s (variable) with Linear PCM audio ensuring great images and sound.

This AVCHD compression does end up offering better all-round picture performance over the older HDV codec, although there is an impact in the editing process as it requires a higher level of processing power and therefore you may need to upgrade your editing system! Also, as the AVCHD codec is so new, some editing systems don�t yet support it so we will have to wait for the software companies to catch up with the AVCHD technology. So far Sony�s Vegas Pro 9, Adobe Premiere Pro CS4 (for Mac and PC) and Edius Pro all support AVCHD natively. Apple�s Final Cut Pro and AVID MC do not. Final Cut Pro users, don�t despair. Simply import using the log and transfer and transcode into Apple ProRes 422. Hopefully, Apple will support AVCHD natively with a future upgrade.
RECORDING MODES
The NX5 has more recording modes than you can shake a stick at. There�s plenty for everyone in both HD and SD; those shooting in the past, the present and the future, those who are hanging onto �interlace� like grim death and those who are shooting their way �progressively� into the future; that would be me then.

Recording options and frame-rates include: AVCHD FX (24Mbps) 1920x1080/50i,
AVCHD FH (17Mbps) 1920x1080/50i, AVCHD HQ (9Mbps) 1440x1080/50i,
AVCHD LP (5Mbps) 1440x1080/50i,
AVCHD FX (24Mbps) 1920x1080/25p,
AVCHD FH (17Mbps) 1920x1080/25p,
AVCHD FX (24Mbps) 1280x720/50p,
AVCHD FH (17Mbps) 1280x720/50p,
MPEG SD HQ (9Mbps) 720x576/50i,
MPEG SD HQ (9Mbps) 720x576/50i (25p Scan)

So there you have it, virtually every recording mode and frame-rate you could wish for.

Weekly nr. 22 - PMW-F3K en PMW-EX3

Tue, 18 Oct 2011 00:00:00 +0200

Weekly nr. 21 - NEX-FS100EK pakketten

Wed, 12 Oct 2011 00:00:00 +0200

Sony introduceert nieuwste AV gadget

Fri, 02 Sep 2011 00:00:00 +0200

Sony introduceert:
DEV-5K

Digital Recording Binoculars

Observe and Document with one device

Equipped with digital binoculars capable of directly recording in full HD (1920 x 1080) video, you�re ready to observe and document the world in high resolution 2D or immersive 3D with a maximum magnification of 20x*. There�s also autofocus, which is something that no conventional binoculars are able to provide. What�s more, Optical SteadyShot� (Active Mode) as image stabilization technology ensures crisp, stable images even at high magnification. A new page in binocular history has been turned.

* With digital zoom ON.

Features

Observe while recording in full HD video

The DEV-5K Digital Recording Binoculars can record in full HD video (1920 x 1080 video) for high resolution and accurate reproduction of detail. Since binoculars are intrinsically 2-channel devices, two top-quality G lenses, two precision �Exmor R� CMOS image sensors, and two high-speed BIONZ image processing engines are employed. That�s one lens, sensor, and processing engine for each eye. The

left- and right-eye images can be separately recorded and playback via the corresponding EVFs for immersive 3D viewing.* In addition to viewing in 3D, the Digital Recording Binoculars let you record in 3D as well.**

* For 2D viewing the image from one channel is simultaneously played back via both EVFs.

** Up to a maximum magnification of 5.4x.

Stable viewing and blur-free recording with Optical SteadyShot(Active Mode)

Optical SteadyShot(Active Mode) as image stabilization technology developed and refined through the manufacture of Sony camera products has been exhaustively applied in these innovative binoculars. The image remains crisp and stable even at high magnifications that would make viewing difficult with other binoculars.

Locate, close in, capture. Unprecedented binocular functionality

The DEV-5K provides a maximum magnification of 20x* when digital zoom is turned ON.** The DEV-5K zooms seamlessly from 0.9x to maximum magnification, so it�s easy to frame the subject wide then zoom in for detail. Both the zoom and

autofocus functions work simultaneously, so you can zoom in while autofocus keeps the image sharp for unprecedented subject tracking capability.

* When shooting 2D video.

** Image quality is reduced when recording 2D video at magnifications higher than 10x when digital zoom is ON.

GPS and HDMI for maximum utility

A built-in GPS function automatically records your location as you capture video or stills. The supplied PMB (Picture Motion Browser) software can display the captured video and stills on a map on your computer screen, providing a detailed log of precisely where each image was captured. By connecting the HDMI terminal to an HD capable video monitor you can view images that have been recorded by the binoculars in full HD. If it�s a monitor that supports 3D, you can view in 3D as well.

Digital Recording Binoculars.

Ergonomic �stealth� design for a wide range of applications

Here we have a perfect combination of rugged binocular durability and camera operability. They feature a �stealth design� that avoids any unnecessary decoration. Visual indicators face the rear so that they can be easily seen by the operator but not by the subject.

Technical Specifications

Imaging Sensor

Imaging Sensor          2x 1/4 type(4.5mm) back-illuminated "Exmor R" CMOS Sensor

Pixel Gross                 Approx. 4200K pixels(2D) / 2x Approx. 4200K pixels(3D)

Recording

Media Type                No internal memory

Memory Stick PRO Duo � (Mark 2)

Memory Stick PRO-HG Duo�

SD/SDHC/SDXC Memory Card(Class 4 or Higher)

Still Image Mode                    3D Still Image: Not available/2D Still Image:JPEG

Still Image Max Effective      7.1 megapixels

Still Image Size(Photo Mode) 7.1 megapixels (4:3) (3072x2304)

5.3 megapixels (16:9) (3072x1728)

1.9 megapixels (4:3) (1600x1200)

307K pixels (4:3) (640x480)

Video Format                          2D HD: MPEG-4 AVC/H.264 AVCHD format Ver.2.0 compatible

3D HD: MPEG-4 MVC/H.264 AVCHD format Ver.2.0 compatible

Video Mode(Resolution)         2D HD: 1920x1080/60p, 50p (PS), 1920x1080/60i, 50i (FX,FH), 1440x1080/60i, 50i (HQ,LP)

3D HD: 2x 1920x1080/60i, 50i

Movie Recording Rate           2D HD

(Average Bit Rate/VBR)         PS: Approx. 28Mbps/FX: Approx. 24Mbps/FH: Approx. 17Mbps/

HQ: Approx. 9Mbps/LP: Approx. 5Mbps

3D HD

3D: Approx. 28Mbps

Recording and Playback Times        2D HD PS: Approx. 2h30m

(32GB Memory Card)(2ch)               2D HD FX: Approx. 3h00m

2D HD FH: Approx. 4h05m

2D HD HQ: Approx. 7h20m

2D HD LP: Approx. 12h50m

3D HD

3D: Approx. 2h30m

Audio Format                                     Dolby® Digital 2ch Stereo

Microphone/Speaker                                     Built-in Microphone / Monaural

Optics/Lens                                      *Resolution is reduced at zoomed magnifications.

Lens Type                                          G Lens

Aperture                                             F1.8 - F3.4

Magnification (Movie Mode)               x0.9 - x10(2D:Digital zoom is OFF) / x0.9 - x20(2D:Digital zoom is ON) / x0.5 - x5.4(3D)

Magnification (Photo Mode)*            x0.5 - x20 (16:9) / x0.3 - x15 (4:3)

Minimum Focus Distance                 Movie Mode

2D: Approx. 1cm (Wide) / Approx. 80cm (Tele)

3D: Approx. 80cm (Wide) / Approx. 7.5m (Tele)

Photo Mode

Approx. 1cm (Wide) / Approx. 80cm (Tele) / Approx. 25cm (Tele Macro)

Viewfinder

Type                                                   2x 0.45 type(1.1cm) Wide (16:9)

1,226,880 dots (852x3[RGB]x480)

Diopter Adjustment                            Yes (-3.5 - +3.5)

Eye relief                                           14.3mm

Apparent field of view                                   35.6�(16:9)

(diagonal dimension)

Interpupillary distance adjust                         55-75mm

Brightness Control                             Yes (5 steps)

Exposure System

Minimum Illumination                          Standard:11 lux (1/60 Shutter Speed:60i, 1/50 Shutter Speed:50i)

Convenience Features

Multiple Language Display                  Japanese, English, Simplified English, Traditional Chinese, Simplified Chinese, French, Italian, German, Spanish, Dutch, Russian, Romanian, Portugese, Greek, Arabic, Persian, Thai, Brazilian Portugese, Canadian French, Latin American Spanish, Korean, Turkish, Polish, Czech, Hungarian, Indonesian, Malay

Advanced Features

Image Stabilization                              Optical SteadyShot� image stabilization w/ Active mode (Wide to Tele(2D) / wide(3D))

Interface

Memory Card Slot                              Memory Stick PRO Duo� and SD/SDHC/SDXC compatible

STD Output                                         Composite Video Out(A/V connecting cable(supplied))

Component Video Out(Component A/V cable (supplied))

S Video Out(A/V connectiong cable with S Video (sold separately))

HD Output                                           HDMI Out(mini)

Component Video Out(Component A/V cable(supplied))

3D HD Output                                     HDMI Out(mini)

USB Port(s)                                        TypeA, mini-AB/USB2.0 Hi-speed (mass-storage/MTP)

Headphone Jack                                Stereo Minijack

Microphone Input                                Stereo Minijack

DC IN                                                  Yes

A/V Remote Terminal                         Video/S Video/Audio/Component Out/Remote

Weights and Measurements

Dimensions (WxHxD)

(Body only including protrusion)         Approx. 219 x 155 x 88 mm (8.63 x 6.10 x 3.47 in.)

Dimensions (WxHxD)

(Lens cover,Large Eyecup and

protrusion)                                           Approx. 270 x 166 x 120 mm (10.63 x 6.54 x 4.73 in.)

Weight (Body only)                             Approx. 1.2 kg (2.65 lb 42.3 oz)

Weight (Including Battery,

Lens Cover, Large Eyecup and

Memory Stick PRO Duo)                   Approx. 1.4 kg (3.09 lb 49.4 oz) (NP-FV100 as supplied battery)

Power

Battery Type                                       InfoLITHIUM® with AccuPower� Meter System (V Series)

Power Consumption in recording       2D HD: 4.2W (FX)

3D HD: 4.8W

Power Requirements                          6.8V (battery pack); 8.4V (AC Adaptor)

Recording time (2D)                           Approx. 3h05m NP-FV70:(fully charged batt.)

Approx. 6h10m NP-FV100:(fully charged batt.)

Playback time (2D)                             Approx. 4h50m NP-FV70:(fully charged batt.)

Approx. 9h40m NP-FV100:(fully charged batt.)

Recording time (3D)                           Approx. 2h40m NP-FV70:(fully charged batt.)

Approx. 5h20m NP-FV100:(fully charged batt.)

Playback time (3D)                             Approx. 4h20m NP-FV70:(fully charged batt.)

Approx. 8h35m NP-FV100:(fully charged batt.)

Supplied Accessories

Main Supplied Accessory Rechargeable Battery Pack(NP-FV100) (1)

AC adaptor/Charger AC-VQV10 (1)

Power Cord (1)

Large Eyecup (2)

Lens Cover (1)

Finder Cap (1)

Neck Strap (1)

Carrying Case (1)

A/V Connecting Cable (1)

Component A/V Cable(1)

USB Cable (1)

USB Adaptor Cable VMC-UAM1(1)

CD-ROM(Video Camera Application Software) (1)

Operating Guide (1)

Features and specifications are subject to change without prior notice.

Waanzinnig scherpe prijs JVC GY-HM100E

Mon, 22 Aug 2011 00:00:00 +0200